I’m a designer with a background in filmmaking and post-production.
Over the past decade, I’ve developed a multidisciplinary practice that combines cinematic composition with live performance, using light, movement, and projected image to build immersive narrative environments.
 

Since 2020, I’ve designed projections for numerous theatre productions across Türkiye, collaborating with DOT Theatre, Nilüfer City Theatre, Moda Sahnesi, Zorlu PSM, Tiyatro Hemhal, Tiyatro In, and the Bursa Metropolitan Municipality Theatre. My recent works include 1984, Prima Facie, A Gambler’s Guide to Dying, Rapture, People, Places & Things, and Haberci.

In each project, I aim to integrate projection not as decoration but as an active storytelling element — one that reacts to the performer’s physical and emotional presence, reshaping the perception of time and space on stage.

Beyond theatre, I create large-scale visuals for live music and interdisciplinary performances.
As a visual designer, I’ve collaborated with music groups such as Büyük Ev Ablukada and Gevende, producing concert visuals that blend rhythm, light, and motion into a single audiovisual experience.

In 2024, my installation and performance project Airbag Malfunction was presented at Sonar Istanbul, where I also contributed to its sound design. These collaborations allow me to move fluidly between stage, screen, and installation, exploring how technology transforms the emotional landscape of performance.
 

Parallel to my design work, I’m the founder and director of the International Children’s Rights Film Festival (ICRFF) — a long-running event supported by UNICEF and the EU Delegation to Türkiye that uses film and art to raise awareness around children’s rights.
 

Across all my work, I’m driven by the idea that illusion and reality can coexist on stage — that light, sound, and image, when treated as living materials, can reveal something deeper about the way we see and feel.